Handmade Artist's Books 1W26

Explore the world of artist’s bookmaking with this survey of techniques and applications. From single sheet constructions, accordions, and sewn binds to more complicated Japanese puncture/stab binds, portfolios, pop-ups and unique hybrids, this course covers all the materials and techniques needed to create personal artist’s books. Students will complete examples of each technique in sizes from 4x6, 5x5 to 3x4 inches, along with a phase box to house the collection. Focusing on larger-scale, personal projects will continue throughout the month with critique and discussion to end each afternoon.
This 4-week class will focus on form and content in personal artist's books. All levels of artists are welcome. The range of techniques we'll cover will improve and expand the art practices of any artist regardless of media.
Open to all media and skill levels!
Make up date: 4/28/26
Cristina Hajosy

Cristina Hajosy is a mixed media artist, art educator and designer based in Greater Boston. She is the owner of Hajosy Arts (hajosyarts.com), an art studio of photography, printmaking, book arts, and historical decorative arts, especially paper marbling and paste paper. She is the co-founder and past president of New England Book Artists (newenglandbookartists.org), a book arts organization that has quickly grown since 2019. Her work strives to foster understanding and personal growth through book arts via art education and the creation of beautifully challenging and personally satisfying art.
Cristina was born in Rome, Georgia to parents who were doctors. She grew up on a cattle farm with a large catfish fishery, family garden, pecan orchards, and horses alongside private school, art classes, music lessons, and country club activities. According to Cristina,
“My story is a modern-day Green Acres complete with Hungarian heritage and an amusing clash between high and low cultures. "
Her passion for Marbling began with paper, specifically to be used in the context of bookbinding. It swiftly moved to fabrics, textiles and wood. She finds marbled patterns can be conceptualized into mixed media contexts in unique ways. Often feminist, body-related, and occasionally narrative, her marbled artworks take this traditional craft into a contemporary, often turbulent place.
"Historical processes like marbling and the book arts were mainly shared within the master/apprentice relationship, a fairly secretive and male-dominated world. As a feminist, conceptual artist, it gives me great pleasure to lift the veil and fully share the knowledge.”
All materials are provided along with technique handouts.
$100 materials fee payable to instructor in class.